Global dance music superstar Afrojack (Nick van de Wall) left fans stunned on June 8th after sharing a chilling glimpse into a near-fatal roadside accident.

Posting a video of his completely shattered windshield on social media, the Dutch DJ captioned the footage: “POV: Final Destination but it’s not a movie.”

The terrifying incident occurred while traveling with his team. Fortunately, everyone involved walked away completely unharmed.

Afrojack credited his driver, Nick Fuso, and his team for managing the chaos, while expressing profound gratitude for his wife’s support. The brush with danger has given the producer a renewed perspective, summarizing his outlook as simply: “More life, more music.”

Canadian electronic music icon Rezz (Isabelle Rezazadeh) is turning her signature dark aesthetic into a cinematic experience.

Currently taking an indefinite hiatus from live performances due to a severe physical and mental health decline caused by a relentless 15-year touring schedule, the Juno Award-winning producer has found a new creative outlet in filmmaking.

Rezz announced that her “next major project” involves writing a script treatment for a psychological horror film.

Known for her eerie, hypnotic soundscapes and alien-inspired visuals, she will not only write (and potentially direct) the feature but will also compose its entire original soundtrack.

Martin Garrix is shooting for the stars as he gears up for his next massive studio project.

In a fresh interview on Toronto’s KiSS 92.5, the Dutch superstar confirmed his highly anticipated new album is dropping in late 2026.

When asked about his ultimate dream collaborator, Garrix didn’t hesitate to name Daft Punk.

Even though the iconic robotic duo split up back in 2021, Garrix emphasized how deeply they shaped his musical identity.

The upcoming album is already packing heavy-hitting nostalgia; he just released “Repeat It“—a legendary, long-awaited collaboration with Ed Sheeran that was originally shelved over a decade ago

The “King of Clubs” recently shared a surreal moment with actual royalty. Dance music legend Carl Cox visited Buckingham Palace on May 14th to celebrate the 50th anniversary of The King’s Trust.

The meeting was a profound full-circle milestone for Cox. He revealed on social media that at age 24, a £1,000 grant from the trust (formerly The Prince’s Trust) funded his very first setup.

Faced with a choice between earning £500 a week as a scaffolder or £60 a week as a self-employed DJ, the funding gave him the push to choose music. “The rest,” as Cox put it, “you know.”