Renowned DJ Argy’s much-anticipated “New World” show in Budapest faced an unexpected halt on December 20th due to a “potential bomb threat.” The event, held at the Hungarian Railway Museum, was evacuated as a precaution, with Argy and fellow artist OMIKI promptly escorted from the venue by security.

Although the venue was declared safe hours later, Argy chose not to perform, citing concerns for fan safety and production standards. His meticulously planned set required an uncompromised environment, and he expressed disappointment over the situation.

In a statement, Argy emphasized prioritizing safety and his commitment to delivering an exceptional experience for fans. He assured his audience that efforts to reschedule the event under better circumstances are underway.

This incident underscores the challenges artists face in ensuring fan safety while maintaining high-quality performances.

Subtronics has cemented his status as a dubstep powerhouse, being named Beatport’s top-selling dubstep artist of 2024. This accolade follows a monumental year filled with groundbreaking tracks like “Black Ice” with Rezz, “Hallelujah” with Wooli, and “No One Does It Like” with Alison Wonderland. His reimagining of Sage the Gemini’s “Gas Pedal,” created with John Summit and Tape B, took the industry by storm, becoming Beatport’s top-selling dubstep track of the year.

Alongside these singles, Subtronics launched his sophomore album, TESSERACT, and its namesake tour. His relentless touring schedule included performances at major festivals like EDC, Ultra Japan, and Lost Lands, as well as hosting the third edition of Cyclops Cove.

Subtronics’ innovative sound and unmatched energy continue to push dubstep to new heights, solidifying his position as one of the genre’s defining figures.

A new report highlights Spotify’s controversial Perfect Fit Content (PFC) program, which embeds royalty-free tracks into popular playlists. These tracks, created by pseudonymous “ghost artists,” are commissioned to reduce Spotify’s royalty expenses. While the platform profits from lower payouts, genuine musicians striving for recognition and income suffer.

While Spotify profits from these low-cost tracks, musicians are losing vital revenue and exposure. Critics argue that this approach disrupts the platform’s promise of a meritocratic music ecosystem, favoring corporate efficiency over artistic integrity.

This revelation follows similar debates about Spotify’s Discovery Mode, where artists trade royalty cuts for algorithmic boosts. Both initiatives appear to prioritize corporate gains over fairness, undermining the platform’s image as a champion of artistic discovery.

The global dance music community is mourning the passing of DJ Alfredo Fiorito, a true icon who transformed Ibiza’s club scene and beyond. Known as the “Father of the Balearic Beat,” Alfredo passed away at 71, leaving behind a legacy that shaped the evolution of electronic music.

Alfredo’s journey began in 1976 when he emigrated from Argentina to Ibiza. After working various jobs, he discovered his passion for DJing, performing his first set at Amnesia in 1983. His unique style, which seamlessly blended house, disco, rock, jazz, and funk, created the Balearic beat, a genre synonymous with Ibiza’s free-spirited vibe. His groundbreaking sets not only defined the island’s nightlife but also inspired a generation of DJs, including Paul Oakenfold and Danny Rampling, who introduced the sound to the UK.

Despite his immense influence, Alfredo’s later years were marked by health struggles, including a stroke in 2021. Fans and fellow artists rallied to support him, recognizing his monumental contributions to music. Tributes from industry legends such as Sister Bliss, Dave Pearce, and Rowetta highlight his unparalleled impact.

Alfredo’s vision shaped iconic venues like Amnesia and Pacha, turning Ibiza into a global hub for dance music. His artistry lives on through the countless memories he created on dance floors worldwide. Alfredo’s legacy will forever resonate as a beacon of creativity and passion in the music world.