A Brazilian man has been arrested for orchestrating a large-scale music streaming fraud, uploading over 400 fake songs to Spotify and racking up 28 million plays. Authorities estimate he earned around $65,000 by manipulating streaming algorithms. This arrest, part of “Operation Out of Tune,” was led by Cyber Gaeco in partnership with global music industry bodies.

Investigators found that some of these fraudulent tracks were AI-generated, raising concerns about how generative AI is being used to game streaming platforms. The suspect also allegedly stole 36 songs from local artists and distributed them via WhatsApp groups.

In response to growing fraud, platforms like Spotify and Deezer have revised their payout structures to combat fake streams. Spotify now requires tracks to have at least 1,000 plays within 12 months for monetization, while Deezer prioritizes legitimate high-performing tracks.

Music industry leaders, including IFPI and Pro Música Brasil, have condemned the scheme, emphasizing the harm caused to legitimate artists. As AI music generation becomes more common, authorities and streaming services will need to stay ahead of fraudulent tactics to protect the integrity of digital music platforms.

Diplo was spotted watching Skrillex’s set at Ultra Music Festival, leading fans to speculate on their complicated relationship. While some believed Diplo was eagerly trying to get Skrillex’s attention, others dismissed it as mere coincidence.

A few weeks ago, Diplo shared nostalgic posts about their past collaborations, almost hinting at a Jack Ü reunion, but Skrillex remained silent. Since their joint project, Skrillex has distanced himself, possibly due to controversies surrounding Diplo. Allegations and reports of him crashing DJ sets at Burning Man have also fueled criticism.

Some defend Diplo, pointing out his ability to simply text Skrillex if he wanted to reconnect. Others argue that Skrillex’s cold shoulder is a clear statement. Either way, their Ultra encounter highlights how former collaborators can drift apart—even under the flashing festival lights.

Sometimes, the best visuals aren’t even planned—just ask this EDM-loving parent who accidentally synced Subtronics’ latest banger with a random episode of Family Guy.

According to a viral discussion, a father was playing Subtronics’ newest release when his house speaker auto-connected, shutting off Family Guy’s original audio. What happened next? The song and the visuals lined up almost too well, sparking a hilarious realization: Subtronics may have just found his new live show visuals.

This kind of accidental synchronicity isn’t unheard of. Many fans recall similar experiences—whether watching The Simpsons or other animated shows while blasting EDM. The way characters move, talk, or even do something ridiculous on beat makes it oddly satisfying.

Some even compare it to the old party trick of muting cartoons and playing electronic music, creating unexpected moments of perfect synchronization. Could this be an unintentional form of music video art?

Whether it’s a coincidence or proof that Subtronics and Family Guy are secretly linked by the EDM gods, one thing’s for sure: we need more of these unintentional edits in the scene!

San Holo just flipped the script on riddim with his Wholesome Riddim set at Lost Lands, and fans are absolutely losing it! Known for his signature emotional melodies and future bass vibes, San Holo’s take on riddim brings a fresh perspective to the bass-heavy genre.

While many dubstep sets lean towards dark, aggressive “doomstep” or wobbly basslines, San Holo’s rendition brings uplifting melodies, emotional depth, and that signature bitbird touch. It’s a fusion of heavy-hitting bass and heartfelt progressions, proving that riddim doesn’t always have to be brutal—it can be beautiful too.

Fans who missed the set are already feeling the FOMO, calling it a “game changer” for the genre. With this fresh approach, San Holo might just inspire a whole new wave of producers to experiment with melodic elements in bass music.

With a potential release of new ‘Wholesome Riddim’ tracks on the horizon, this set might mark the beginning of a new subgenre within dubstep. If you’re a fan of both emotional soundscapes and high-energy drops, this is one you don’t want to miss!